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Casperous Vine

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Released: Dec 21, 2011
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General Info

  • Genre: Experimental / Roots Music / Visual

    Location We

    Profile Views: 27098

    Last Login: 12/21/2011

    Member Since 5/8/2007

    Website www.vordoresque.com

    Record Label Vordoresque Musique

    Type of Label Indie

  • Bio

    Casperous Vine is a concept that composer Paul C. Kozlowski began to develop in 2001 following the break up of experimental jazz-grindcore outfit, Parade of the Lifeless, of which Kozlowski was a prominent member. Casperous Vine has evolved from a solo project to a three-piece, and now an acoustic chamber quartet, which features the talent of David Adamczyk, Natalie Bennett, and Kathleen Ashwill. Together, they bring to life Kozlowski's stylistically unorthodox compositions—deeply influenced by his encounters as a world traveler as well as his experience writing music for Buffalo's underground avant-garde theater. Inspired by classical, experimental, Eastern European gypsy, and klezmer music, Casperous Vine's genre-defying sound is that of a transplanted nostalgia, the chaos of distant memories and the whimsical reinterpretation of tales. "Kozlowski's skill as a composer (especially given his lack of formal training) is formidable, and particularly evident on the songs 'Granite' and 'Li Fong'…" - Colin Dabkowski, The Buffalo News "Although this music has a Spanish-tinged ethnic flavor, it doesn't really sound like it has a distinct link to any one culture. What I dig is that it has a minimal yet kaleidoscopic quality with selective layers of acoustic, electric and sampled sounds seamlessly woven together into an endless story that changes scenery every few minutes." - Bruce Lee Gallanter of Downtown Music Gallery NYC reviews debut album "Ginger Lovers" .. .. .. .. ...... ..Image Hosting.... .. ............Myspace Layouts.. - ..Image Hosting.. - ..Forums.... .. ............Myspace Layouts.. - ..Image Hosting.. - ..Forums....
  • Members

    Paul Christopher Kozlowski-Compositions/arrangements, Bayan, accordion and classical guitar, piano, bass, oud, percussion, programming, knicks knacks and the such. past and current members- Kathleen Ashwill- Cello. Natalie Bennett- Violin. David Adamczyk- Violin. Anthony Leva-double bass. Jeannine Giffear-Flute. Evan Courtin-Violin. Jean Pierre Issa-Oboe, piano. David Phillips-cajon, trap kit. Eleni Petrou-Cello. Rebecca Mercurio-Double bass. Victor-Tuba
  • Influences

    Anouar Brahem, Cracow Klezmer Band, Secret Cheifs 3, John Frusciante, Cryptopsy, Terrible Elephant, Rahim Alhaj, Sonic Youth, Henry Mancini, Aram Katchaturian, Erik Satie, Shostakovich, Khalil Gibran, Piazzola...
  • Sounds Like

    The lifes that weve led up until now. A vacant grain elevator. A caravan of gypsy punks squatting on your mamas lawn, your lover saying goodbye. .. .. .. .. .. .. .. .. .. ..

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Bio:

Casperous Vine is a concept that composer Paul C. Kozlowski began to develop in 2001 following the break up of experimental jazz-grindcore outfit, Parade of the Lifeless, of which Kozlowski was a prominent member. Casperous Vine has evolved from a solo project to a three-piece, and now an acoustic chamber quartet, which features the talent of David Adamczyk, Natalie Bennett, and Kathleen Ashwill. Together, they bring to life Kozlowski’s stylistically unorthodox compositions—deeply influenced by his encounters as a world traveler as well as his experience writing music for Buffalo’s underground avant-garde theater. Inspired by classical, experimental, Eastern European gypsy, and klezmer music, Casperous Vine’s genre-defying sound is that of a transplanted nostalgia, the chaos of distant memories and the whimsical reinterpretation of tales. “Kozlowski’s skill as a composer (especially given his lack of formal training) is formidable, and particularly evident on the songs ‘Granite’ and ‘Li Fong’…” - Colin Dabkowski, The Buffalo News “Although this music has a Spanish-tinged ethnic flavor, it doesn't really sound like it has a distinct link to any one culture. What I dig is that it has a minimal yet kaleidoscopic quality with selective layers of acoustic, electric and sampled sounds seamlessly woven together into an endless story that changes scenery every few minutes.” - Bruce Lee Gallanter of Downtown Music Gallery NYC reviews debut album “Ginger Lovers” ..

MySpace Layouts
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MySpace Layouts
Myspace Layouts - Myspace Editor - Image Hosting

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MySpace Layouts
Myspace Layouts - Myspace Editor - Image Hosting

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MySpace Layouts
Myspace Layouts - Myspace Editor - Image Hosting

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MySpace Layouts
Myspace Layouts - Myspace Editor - Image Hosting

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MySpace Layouts
Myspace Layouts - Myspace Editor - Image Hosting

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MySpace Layouts
Myspace Layouts - Image Hosting - Forums

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MySpace Layouts
Myspace Layouts - Image Hosting - Forums

Member Since:

May 08, 2007

Members:

Paul Christopher Kozlowski-Compositions/arrangements, Bayan, accordion and classical guitar, piano, bass, programming, knicks knacks and the such. Kathleen Ashwill- Cello. Natalie Bennett- Violin. David Adamczyk- Violin. Anthony Leva-double bass. Jeannine Giffear-Flute. Evan Courtin-Violin. Jean Pierre Issa-Oboe, piano. David Phillips-cajon, trap kit. Eleni Petrou-Cello. Rebecca Mercurio-Double bass.

Influences:

Anouar Brahem, Cracow Klezmer Band, Secret Cheifs 3, John Frusciante, Cryptopsy, Terrible Elephant, Rahim Alhaj, Sonic Youth, Henry Mancini, Aram Katchaturian, Erik Satie, Renaldo and the loaf.

Sounds Like:

The lifes that weve led up until now. A vacant grain elevator. A caravan of gypsy punks squatting on your mamas lawn, your lover saying goodbye. .. .. ..

Record Label:

Vordoresque Musique

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