Tomi, not Tommy

isaac asimov's greater foundation series, lucky starr series, the realm of algebra, i, robot.

hunter s. thompson's the rum diary: a novel, hell's angels: a strange and terrible saga, fear and loathing in las vegas: a savage journey to the heart of the american dream; fear and loathing: on the campaign trail '72, gonzo papers vol.1-4, the curse of lono, screw-jack and other stories, mistah leary - he dead.

william s. burroughs' junkie, queer, naked lunch, the ticket that exploded, nova express, my education: a book of dreams.

jack kerouac's on the road, the dharma burns, big sur, visions of cody, beat generation.

allen ginsberg's howl and other poems, kaddish and other poems, reality sandwiches, the yage letters (with willam s. burroughs), deliberate prose.

h.g. wells' the invisible man, the island of dr. moreau, time machine, war of the worlds, the shape of things to come, the man who could work miracles, the moth.

h.p. lovecraft's the call of cthulhu, the dunwich horror, the book, the dream quest of unknown kadath, herbert west--reanimator, the other gods, the statement of randolph carter, facts concerning the late arthur jermyn and his family.

edgar allan poe's the raven, the cask of amontillado, the tell-tale heart, the murders in the rue morgue, the pit and the pendulum, the fall of the house of usher, ligeia.

brett easton ellis' american psycho, glamorama, less than zero, the informers.

chuck palahnuik's fight club, choke, lullaby, diary, haunted, rant, snuff.

george orwell's animal farm, nineteen eighty-four, coming up for air.

john steinbeck's the grapes of wrath, in dubious battle, of mice and men, the long valley, cannery row.

alex garland's the beach, the tesseract, the coma.

dante alighieri's the inferno, the purgatorio, the paradiso.

nick horby's high fidelity, about a boy, otherwise pandemonium.

ned vizzini's teen angst? naaah..., be more chill, it's kind of a funny story.

neil gaiman's the sandman, coraline, neverwhere, sandman: book of dreams, stardust, american gods, death: the high cost of living, the tragical comedy or comical tragedy of mr. punch, angela.

louise wener's goodnight steve mcqueen; kevin chong's baroque-a-nova; the sound of water: haiku by basho, buston, issa, and other poets; charles dickens' great expectations; diana wynne jones' eight days of luke; victor hugo's the hunchback of notre dame; gaston leroux's the phantom of the opera; mary shelly's frankenstein; brom stoker's dracula; barry lyga's the astonishing adventures of fanboy and goth girl; alex shakar's the savage girl; jean ferris' love among walnuts or: how i saved my family from being poisoned; ralph steadman's the joke's over: bruised memories: gonzo, hunter s. thompson, and me; carl reiner's how paul robeson saved my life and other mostly happy stories; bruno maddox's my little blue dress; isaac adamson's tokyo sucker punch; murray schisgal's luv; mike mccormack's crowe's requiem; john pierson's spike, mike, slackers & dykes: a guided tour across a decade of american independent cinema; danny moynihan's boogie woogie; stephen walker's king of cannes; neal pollacks' never mind the pollacks: a rock and roll novel; nick fowler's a thing (or two) about curtis and camilla; neal shusterman's the schwa was here; alan kaufman's the outlaw bible of american poems/literature/essays; thomas crow's rise of the sixties; robert rosenblum's on modern american art: selected essays; john green's looking for alaska; rachel cohn and david levithan's nick and norah's infinite playlist; whit johnson's '80; jewel's a night without armor; mike leigh's naked and other screenplays; arthur nersesian's unlubricated; chuck hayden's all yesterday's parties: the velvet underground in print 1966-1971