David Liebman

Bio:

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.. Compared to Who..

Further Conversations-True Azul (2007):A stunning set recorded at the Mayfair Arts Festival in Allentown, PA, USA, this shows the group in true performance mode covering the entire gamut of styles from a reharmonized standard ("Green Dolphin Street" ) to the world music strains of  "Anubis" and burning jazz "Victim." Guitarist Vic Juris who has been with Lieb since 1991 really shines on this recording.

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to get in touch with me the quickest way to get a response is go to my website www.davidliebman.com Otherwise, i only respond to messages, not comments. Thanks.

DAVID LIEBMAN BIOGRAPHY
David Liebman was born in Brooklyn, New York on September 4, 1946. He began classical piano lessons at the age of nine and saxophone by twelve. His interest in jazz was sparked by seeing John Coltrane perform live in New York City clubs such as Birdland, the Village Vanguard and the Half Note. Throughout high school and college, Liebman pursued his jazz interest by studying with Joe Allard, Lennie Tristano and Charles Lloyd. Upon graduation from New York University (with a degree in American History), he began to seriously devote himself to the full time pursuit of being a jazz artist.
In the early 1970s, Liebman took the leading role (as President) in organizing several dozen musicians into a cooperative, Free Life Communication which became an integral part of the fertile New York "loft" jazz scene in the early 1970s and was funded by The New York State Council of the Arts and the Space for Innovative Development. After one year spent with Ten Wheel Drive, one of the early jazz fusion groups, Liebman secured the saxophone/flute position with the group of John Coltrane’s drummer, Elvin Jones. Within two years, Liebman reached the zenith of his apprenticeship period when Miles Davis hired him. These years, 1970-74, were filled with tours, recordings and the incredible experience gained by being on the band stand with two masters of jazz. At the same time, Liebman began exploring his own music-first in the Open Sky Trio with Bob Moses and then with pianist Richie Beirach in the group Lookout Farm. This group recorded for the German based ECM label as well as A&M Records while touring the U.S., Canada, India, Japan and Europe. Lookout Farm was awarded the number one position in the category “Group Deserving of Wider Recognition”in the 1976 Downbeat Magazine’s International Critics' Poll.
In 1977, Liebman did a world tour with pianist Chick Corea followed up the next year by the formation of the David Liebman Quintet with John Scofield, Kenny Kirkland and Terumasa Hino as featured sidemen. After several world tours and recordings by the quintet over three years, he reunited with Richard Beirach. They began performing and recording as a duo, as well as creating the group Quest in 1981. Beginning with bassist George Mraz and drummer Al Foster, the group solidified when Ron McClure and Billy Hart joined in 1984. Through 1991, Quest recorded seven CDs, toured extensively and did many workshops with students worldwide.
Liebman’s present group formed in 1991 includes guitarist Vic Juris, bassist Tony Marino and drummer Marko Marcinko. With these musicians he has pursued an eclectic direction in recording projects that has ranged from jazz standards to Puccini arias, original adaptations from the John Coltrane and Miles Davis repertoires, original compositions in styles ranging from world music to fusion, always maintaining a repertoire that balances the past, present and future.
Over the past several decades, Liebman has often been featured with top European musicians such as Joachim Kuhn, Daniel Humair, Paolo Fresu, Jon Christensen, Bobo Stenson and in the World View Trio with Austrian drummer Wolfgang Reisenger and French bassist Jean-Paul Celea. His reputation in Europe has led to big band and radio orchestra performances, such as with the WDR in Koln, Germany, the Metropole Orchestra of the Netherlands and the new music Klang Forum in Vienna, Austria playing music specially commissioned to feature Liebman's unique soprano saxophone style. He has consistently placed among the top finalists in the Downbeat Critics' Poll since 1973 in the Soprano Saxophone category. As of the present, David Liebman has been featured on nearly 300 recordings, of which he has been the leader and/or co-leader on nearly 100. Well over 200 original compositions have been recorded. His artistic output has ranged from straight ahead classic jazz to chamber music; from fusion to avant garde.
Liebman has published material on a variety of subjects;instructional DVDs, published chamber music and as well over the years he has contributed regularly to various periodicals such as the Saxophone Journal and the International Association of Jazz Educators Journal. He is the author of several milestone books: Self Portrait Of A Jazz Artist, A Chromatic Approach To Jazz Harmony And Melody, Developing A Personal Saxophone Sound and numerous others, several of which have been translated into other languages.
His teaching activities at universities and in clinic settings have taken him literally around the world as a result of his varied musical directions and expertise on several instruments, along with an ability to articulate the intricacies of the jazz language, aesthetic and technique. Over the years, he has regularly received grantees to study with him funded by the NEA (U.S.), the Canadian Arts Council, as well as Arts Councils of numerous European countries. In 1989 he founded the International Association of Schools of Jazz (IASJ), an organization dedicated to networking educators and students from international jazz schools through periodic meetings, exchange programs and newsletters. Liebman presently serves as the Artistic Director of the IASJ. Lieb has scored music for the JazzEx Ballet Company in the Netherlands (early 90’s)and Ocean of Light for Katrina and the Tsunami tragedies(2006).
Liebman has received several distinguished awards including two NEA grants for composition and performance; an Honorary Doctorate from the Sibelius Acadamy of Helsinki; Finland; a Grammy nomination for Best Solo Performance in 1998 and Best Arrangement for Big Band in 2005; induction into the International Association of Jazz Educator's Hall of Fame in 2000; Artist Grant from the Pennsylvania Council of the Arts in 2005.
“While others of his 60s generation have fallen off their ambition, Liebman has remained dogged about composition and trying difficult styles…he’s a fighter.” -- New York Times(Ben Ratliff)
Liebman uses Alexander tenor and soprano reeds, Keilwerth Saxophones tenor and soprano saxophones, AMT wireless microphones, Van Doren tenor saxophone mouthpieces, Tino's Saxophone Necks.
Original compositions can be downloaded from SheetMusicNow.com, Big Band and small ensemble compositions from Walrus Music.
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Member Since:

December 10, 2005

Members:

..Dave Liebman Group..
Vic Juric
Tony Marino
Marko Marcinko
..Dave Liebman Big Band..
Conducted by Gunnar Mossblad
..We Three..
Adam Nussbaum
Steve Swallow
..Quest..
Richie Birach
Ron McClure
Billy Hart
..Saxophone Summit..
Joe Lovano
Ravi Coltrane
Cecil McBee
Billy Hart
Phil Markowitz
..World View Trio..
Wolfgang Reisinger
Jean Paul Celea
..The Dublin Project..
Ronan and Conor Guilfoyle
Mike Neilsen
..The Cues Trio..
Roberto Tarenzi
Tony Arco
Pallo Benedettini
..Duo's With:..
Marc Copland
Phil Markowitz
Richie Beirach

Influences:

John Coltrane, Miles Davis, Sonny Rollins, Wayne Shorter, Joe Henderson, Elvin Jones, Tony Williams, Bill Evans, McCoy Tyner, Herbie Hancock, Bob Moses, Pete LaRoca, Master Saxophone Teacher:Joe Allard, Richie Birach, Chick Corea, and all the great muscians i have played with since i began in 1960- Pablo Picasso, Vincent Van Gogh, Carl Jung,Eugene Gregan, Bela Bartok, Fyodor Dostoevsky, my Mother, Father, Caris, Lydia and all the great artists I have played with and known since the mid 1960s!!

Sounds Like:

intense high energy, mellow and dissonant, and constant variation.

Record Label:

HatOLOGY
Soho
Sunnyside
Omnitone