Ruins are the brainchild of drummer Tatsuya Yoshida, one of Japan's most original and fiercely independent musicians. He formed the band in the summer of 1985, originally intending to be a power trio, but when the guitarist didn't show for their first rehearsal, he bumped Ruins down to a rhythm-section-only duo. At the time, he was also performing with YBO2, along with avant guitarist K.K. Null. The seeds of the present-day communal atmosphere of Japanese underground musicians were sprouting with this early moonlighting affair, as Null would go on to play with Zeni Geva and Yona-Kit, among others, and of course Yoshida has played with darn near everyone, even The Flying Luttenbachers.

Ruins produce a unique fusion of punk and progressive rock. Yoshida has stated that while he admires punk's energy, he has no desire to play pure punk, and in fact grew up on a steady diet of prog bands such as Genesis, ELP, and Gentle Giant. However, his true inspiration came from France's Magma. Magma's trademark odd-metered motives, faux operatic signing, and especially Christian Vander's extroverted drumming have certainly made their way into Yoshida's consciousness, although the jazzy undertones and relatively atmospheric group sound did not. From an early point, Ruins appealed to the avant-garde and punk listener more than the more traditional 'progger'. On their first recordings, they teamed up with NYC experimental sax-icon John Zorn, and would later put out albums on his Tzadik label. The Ruins sound is dense mix of hardcore punk, prog theatrics, and free-improv. Some critics have used the term 'jazzcore', but that seems inadequate. There really is no describing the duo's sound.

Yoshida performs with a vast number of other projects. Akaten, who appear on the Camp Skin Graft cd, are also a duo. Formed in 1995 with Tsuyama Atsushi (of Omoide Hatoba) in 1995, they're a humorous unit, who bring their interests to life, by using cameras, scissors, zippers,etc as percussion or simulating a wide range of bird calls in their bombastic style. Yoshida's Koenjihyakkei is more of a traditional prog band, with added guitar, keys, and a female singer. Yoshida calls the band a 'Japanese Magma.' High Rise and Mainliner not only share the hard psyche-prog style, but the same members! Korekyojin is a collaboration with Bondage Fruit guitarist Kido Natsuki and Ground Zero/Altered States bassist Nansuno Mitsuro. Other projects include Tairikuotoko Vs Sanmyakuonna, Seikazoku, Musica Transonic, Sunkich, and Zubi Zuva. And then there are his solo performances - true one-man shows, wherein he drums, sings, plays keyboard, and guitar simultaneously. A non-digital, purely-physical performance, full of improvisational spirit that defies common sense.

Ruins have toured around the world numerous times, most noteably as part of the Japanese New Music Festival, a tour of Tatsuya's own invention, where he has managed to create a spell binding lineup of five bands out of just three performers! As for Ruins, Yoshida has stuck with his bass-n-drums formula throughout the group's history, exceptions include the one-off Symphonica (with Kenso's keyboardist and two singers), collaborations with Ron Anderson and the bonus live tracks on SkiN GRAFT's "Refusal Fossil" - which feature a variety of guests. The only a two man unit, Yoshida has switched bassists when needed. The bass in Ruins performs double duty, covering every end of the sonic spectrum, melody, bottom, white noise and athletics. "Refusal Fossil" is the first release to feature six-string bassist Hisashi Sisaki. For this release, the band has recorded some of the rawest, most extreme Ruins songs ever written, all unreleased and some dating as far back as 1988. The live tracks on the CD feature Ruins' previous bassist, Ryuichi Masuda. As if all of this weren't enough, Yoshida also manages his own label, Magaibutsu Limited, the definitive outlet for his many projects.

With the departure of fourth bassist Sasaki Hisashi, Yoshida Tatsuya is carrying on as RUINS alone. A one-man performance that has to be seen to be believed. Yoshida performs the music of RUINS, KOENJIHYAKKEI and other music he has composed throughout his career.

Bio from Skin Graft Records

Tatsuya Yoshida crates a new, complex and concentrated style, incorporating the expressiveness of prog rock, the freedom of jazz and the energy of punk. He also plays in numerous groups; he needs to, to sustain sufficient space for his overflowing creativity.

Tatsuya Yoshida has worked with some of the greatest improvisers on the planet, such as John Zorn, Fred Frith and Derek Bailey. Today, above and beyond the Ruins Alone project, Tatsuya Yoshida is the composer and drummer both in Korekyojinn, an instrumental trio that pushes polyrhythmic complexity to its ultimate limits, and the Koenji Hyakkei ensemble, a quasi-orchestral formation that bridges the gap between prog rock and contemporary music.

A real octopus, Tatsuya Yoshida began the drums at the beginning of the 1980s. Twenty five years later, he has become a truly polyrhythmic monster with syncopated respiration. An initiate in progressive music from his high-school days, Tatsuya Yoshida listened to Genesis, Emerson Lake and Palmer, Camel and This Heat. Although he cites his main influence as Christian Vander and Magma's Kobaïan operatic choruses and interlaced phrasing, Tatsuya Yoshida also mines other seams to create a new, complex and concentrated style, incorporating the expressiveness of prog rock, the freedom of jazz and the energy of punk.

The foundations of Japanese independent and alternative music were born in the eighties. Tatsuya Yoshida was already playing in the group YBO2 beside Masashi Kitamura and K.K. Null (Zeni Geva) when, in 1985, he formed a duo, Ruins, with just bass and drums. Four bass players came and went: Hideki Kawamoto, Kazuyoshi Kimoto, Ryuichi Masuda and Hisashi Sasaki. With the departure of his last bassist, Tatsuya Yoshida set out on a quest for a new member, but abandoned his mission, unable to find a candidate up to the job. The music Ruins was creating had become so complex that electronic machines were now Tatsuya Yoshida's ideal partner.

Ruins then became Ruins Alone. Like syrup or strong alcohol, Ruins makes music that makes you grimace. Ruins is a lab of Tatsuya Yoshida, a direct interface between his brain and his drumsticks. You could get fifteen rock records out of one Ruins album, just by adding a bit of fizzy water. Each composition could be developed in many different directions. Tatsuya Yoshida plays in numerous groups; he needs to, to sustain sufficient space for his overflowing creativity.

When not doing music, Yoshida compulsively photographs stones. He travels the world in search of the mineral beauty of monumental statues and the millennial energy of rocks.

Bio by Franck Stofer