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  • Sabaretto Runion phase II

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    Sabaretto's second rehearsal was another barn burner. Loud, long, fast and furious. We were able to spend a bit of time flushing out the changes and focusing on some details. Over all it went well. By the end of rehearsal we had established a set list and were able to run it.


    Our third and final rehearsal was last night, Dec. 27th. Again, we were at Terry Potts' place out in Romney, IN. This time there were no distractions. At previous rehearsals we had Terry, his wife, his son, my brother Jon and Jim's brother Josh, floating around the room with us. Its nice to have people around when you're ready for them, but I was glad to have this time to have the place to ourselves. There's a different communication and focus with the core group together putting there heads down and working it out.


    We began this night by going over two of the songs that needed the most work. After a tweak and a twist, we felt pretty good about those songs. Now we were able to run the set straight thru, see how it felt, and see what might need a little work or discussion. I must say, its great to work with such accomplished musicians who I've known for so long. We've found a real easy form of non verbal communication. Songs would be midway thru and a single gesture was all that was needed for a minor change in the harmony or a heads up for an arrangement change. The set has a nice flow and the fullness of the harmonies are amazing. That is one major change between this version of Sabaretto and the teenaged version. We never had solid singing in the backing vocals. Jim and Dan were more focused on their guitar parts and probably just not confident in the olden days. Now, they're both lead singers in their own bands, with strong voices and a great sense of harmony. I still have to twist Dan into singing louder and closer to the mic, but he's right on pitch and able to blend and mix better than ever. And what can I say about Jim? He's an amazing singer and an amazing band leader for his own project in NY. Having a great backing vocal crew makes any band sound better. It adds that full, lush sound that I love so much in music.


    In the weeks time between our second and third rehearsal there had been a few discussions about our set being too short. We had a nine song set of all original Sabaretto songs from the early 90's. The idea was tossed around about doing a cover and it was very clear that a few of us had no interest in that at all. Johnny B even called me and said at one point, "I think some people might be pissed if we only play for 35 minutes." I eased his mind and said, "Dude, it will be more like 45, and it's going to rock so hard. And besides, its better to leave people wanting more." I am a firm believer in less is more. The wild card came with all of our friends and fans asking for a song called Fly High. This was a song written by Dan and a friend of his and its the first song Dan and I ever worked on when we began playing together. Fly High is a late 80's sounding rock ballad. Initially I had absolutely no interest in playing this song, but you know what, after 10 different people asked me about it, and the entire band telling me the same thing, "People want us to play Fly High.", why not. We played it together at the last rehearsal. When we hit the first chorus I looked at Johnny B behind the drums with Dan Baker on my left side, just like the old days of practicing out at Uncle Tom's cabin in Battleground, IN, and we just smiled like kids. Yes, its a a dated song. Yes, it sounds like Poison. Yes, its going into the set. With all these great singers in the band, we've decided to perform the song in three part harmony. It adds a nice new twist to it and its going to be a fun, light hearted end to an aggressive and powerful night of music.


    We recorded and timed the final run thru of the set. 52 minutes from beginning to end. 10, All original songs written by Sabaretto from 1991 to 1994. I'm proud to say, we're gonna kick ass and leave it all on that stage tomorrow night.

  • Sabaretto Reunion Show 2011

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    I met Jimbo at the airport. Jim Gerovac (rhythm guitar & vocal) has been my friend since we were in CCD classes together at church back when we were about 11 years old. We painted saints together and Jesus… we've been friends ever since.


    I stumble through the security checkpoint at the Delta Airport Terminal and shuffle myself back together as I see Jim at the Prime Tavern with a beer waiting for me. Ah, a hug from Jim and the buzz comes on quick. We begin the boisterous laughter that will continue this entire experience I'm sure. (See inflight videos)


    Upon arrival in Indianapolis, Jim's brother Joey, and his girl Annie, pick us up at the airport. Another silly ride and I'm with my folks back at their beautifully decorated home in West Lafayette. My mom has the place all decked out in angels, santas, sleds and saviors. The tree is particularly sparkely as well.


    Dinner with the folks and then its off to the races. Johnny B (drums) picks me up from Bruno's, a local favorite pizza joint in town, and we begin the trek out to the rehearsal space. Terry' Potts of the band Ma Kelly, has been kind enough to lend us his rehearsal space out in Romney, IN. Dan Baker (lead guitar) and Tim Hopkins (bass) meet us out front and the first gathering of this tribe is in full swing. We wind our way around to the back area of the house, where there's a large two story garage. The rehearsal space is on the second floor, its carpeted, sound proofed and amped out to the max. The drums are massive with about 10 cymbals around an 8 piece kit.


    As we begin the run through of the first song, we're trying to get our sound mixed in the room. "Turn up, turn down, more vocal, less guitar, more bass…" Eventually after a few songs we're finding a steady groove. The mechanics are coming back, the surge is on its way and we're a rock band again. We hammer into it for a good couple of hours before taking a nice break. Things are going well and we can all see that its going to be a great show.


    After a half hour break we head back upstairs for round two. As soon as we hit the first song, we're all in the total groove and it sounds Killer! Rehearsal ends with confidents and arrangements for the next rehearsal. All in all, I'd say we are off to good start. Tomorrow, Tuesday, is when Tim Brouk from the Journal and Courier comes to do some photos and interviews. Should be fun.

  • Speaker on the speaker part III The Amp Test

    With the caulking all dried and the box sealed, it was time to put the lid on it, literally. I drilled a few starter holes and then affixed the last few screws on the speaker face panel into the box.






    Finally it is done and all there is now is to plug it in and hear her purr. Uh oh! The sound is there, but its crackling in and out. I check my inputs and remember that this amp has a ton of low end so I use the Boss 7 band EQ guitar pedal that I had used on the old version to roll off some of the low end. Still, its breaking up all weird and I can tell something is wrong. I check online to see what amps are like when the tubes are on there way out. In doing so I learned that there was definitely something going on with the tubes in this amp. They are all aglow and by all appearances seem fine. In checking a few sites for replacements, I learn that if I wanna do an overhaul on the tubes in this little 1940's amp, and keep it as close to original as possible, I would have to buy vintage tubes and spend upwards of $400. WHaT?



    There must be something else I can do. I mean, the amp still works, its just acting weird. I took out all the tubes to find out what kind they were and how much they would be to replace, etc. In doing so, I can see they are filthy with oxidation at the plug tips. I remember this stuff I got a few years ago when I had to replace the wiring harness in my Digi 002. Apparently back in 2004 there was a known flaw and when I received the new wiring harness, for free, it came with a cleaning kit. In the cleaning kit were two little tubes. One is is called "Deoxit" and is used to deoxidize electronic plugs (perfect!) and the other, "ProGold" is meant to give a better electrical connection. After a cleaning with cotton swabs and these electronic cleaners, I carefully placed the tubes back into the amp. Presto! Magical electric guitar amp. I still have to roll off the low end to keep the amp from getting a little crazy.



    The sound is just like I remember it, only bigger and cleaner. That speaker was the right choice and I'm anxious to put this little amp back to work. I'll post a likn to an audio sample and A/B it with one of the Fender Deluxes. It has such a unique sound, especially when it begins to break up. Absolute silk.



    here's the link: http://speakersonic.bandcamp.com/track/amp-test
    In the A/B audio sample, these are the variables:

    The guitar used for sample is a 2001 Fender Strat ('61 reissue)
    I used an SM 58 mic up close on the cabinets and an AT4040 for the room mic.
    The player is Scott Loving with different takes for each performance.
    A: Fender Hot Rod Deluxe. No reverb, EQ set in the middle for all three, no presence and the first sound you hear on the sample is the Fender Deluxe.
    B: Vintage Webcore amp with an EQ pedal to roll of the 100hz.


     


    You can definitely hear the bass difference between the character of both amps, especially on the clean takes. The Webcore just can't handle really low frequency bass, or it will break up the tubes in a bad way. In my opinion, there might be too much bass in the Fender amp, but once the overdrive kicks in, both amps sound pretty good in the low tones. They have completely different character. I love the classic sound of the Webcore, in both the clean and overdrive tones. That being said, the Fender Deluxe still sounds pretty great.

    The Webcore has a classic Kink's kind of sound. Hearing the tone, you can imagine it would sound pretty similar to "All Day, And All of The Night" or the Jack White tone from earlier White Stripe recordings.
  • Speaker on the speaker part II

    I made some serious progress today with my box. I glued and screwed until it was obvious that using nails was a much easier and better choice for this build. I had to run to the hardware store a few times for miscellaneous parts. Mostly nails, screws, washers, caulk and gun, and some anchors which hold the speaker in place. Nifty little devices, those anchors. On one end they have a few barbs holding onto the wood, and then in the center, you screw in your bolt. Pretty handy for this particular application and they look cool so I put them on the outside of the box. 


    (A quick note about how horribly bad the pictures load into this blog on myspace. Ugh! If you want to see better pictures, you can go to "Building a Box" in my myspace photo library.)

    The hardware store in my neighborhood is a mash up of all different types of things, scattered all over the place. They have only a few aisles, so you have to really look high and low for things. Its a unique and curious kind of people that hang around a hardware store. From the guys that work there, to the local superintendents that frequent the place, you can see the dirty hands and the tender backs from a hard days labor. I've really felt empowered working on this project. Its such a labor intensive thing to be doing with my time. I'm doing something dudes in the suburbs do on the regular, meanwhile, dudes in the city (ME) make a big deal out of a little job like this... haha! 



    I was able to borrow a Jigsaw from a neighbor down the hall. So I made the round cut for the speaker and trimmed a small hard to reach area around the amplifier cut out. Also today, I put on a mesh speaker grill with a sweet colorful cut of linen to add a little sun vibe. I'm being very careful as to make this thing right. The amp isn't going to look like a traditional amplifier. I mean, I didn't set out to make a classic style guitar amp in the first place. The original box was pretty plane to begin with, so this is more about usefulness than cosmetic appeal. That being said, it is very solid and looks pretty Rock 'n Roll. Perhaps I'll give it a cool paint job, but I'm also okay with just leaving the exposed wood. It has character, which in the end represents who I am as the builder. Maybe I'll give it a mustache =)





    The final process will be screwing in the front speaker panel. I don't want to glue or nail this panel as I feel like I want to have access to the interior of the cabinet. That way, if I feel like the cabinet needs a port, or some internal sound dampening, I can add that stuff later. I decided to line the placement of this final panel with an adhesive insulation. The kind of stuff you put around your air conditioner. This will give the box a nice firm seal on this particular planel along with the rest of the box which is glued, screwed, nailed and caulked. It will be a very solid little machine.





    Tomorrow I will put together the final pieces and I'll be anxious to play with the amp. I hooked it up today just to make sure everything was working before I tucked it in and locked it down with bolts. Its such a great amp. I can't wait to hear it with the Wurlitzer. I ran out of batteries on my drill at 10pm, so it will have to wait till tomorrow. Good times to come!

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